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Digital painting as a specific area of computer graphics
Vyhnánková, Iva ; Jeřábek, Tomáš (advisor) ; Štípek, Jiří (referee)
TITLE: Digital painting as a specific area of computer graphics AUTHOR: Iva Vyhnánková DEPARTMENT: Department of Information Technology and Education SUPERVISOR: Mgr. Tomáš Jeřábek ABSTRACT: Digital painting brings new possibilities to the field of arts. These possibilities consist not only of general advantages of software usage such as undo and easy modifications, but also of number of new tools, which can simulate traditional media to a certain degree. The work deals with digital painting in the context of its characteristic features, advantages and disadvantages as compared to traditional painting, and application, followed by the area of hardware and software. The practical part describes selected methods of not only simulating traditional techniques, but also of software tools application for specific painting techniques which traditional painting does not enable. KEYWORDS: digital painting, computer art, graphic software, painting, drawing
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Software based on the creation of graphics products
Bubeníček, Jan ; Krsek, Libor (advisor) ; Horný, Stanislav (referee)
The objective of the thesis is to chart the overview and functionality of the software programs needed for the creation of comprehensive graphics work. The thesis should not only delimit individual areas of computer graphics and describe the related software. The main benefit should be the comprehensive definition of the most important operations of the DTP process during the creation of a commercial graphics job. These individual parts of the creative process will serve as the focus for the demonstration of problematic points and errors that the graphic designer can make, and the ways of avoiding them. The last part of the thesis illustrates the utilization of graphics programs for the realization of specific orders.
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Advanced digital illustration and its purpose in commercial sphere
Phung, Nghia ; Krsek, Libor (advisor) ; Horný, Stanislav (referee)
The purpose of this bachelor's thesis is definiton of Advanced Digital Illustration as a standalone discipline of digitlac graphic arts, separated from vector graphics and photographic retouching/montage. The thesis is made of 3 parts. The first theoretical part contains an introduction do Digital Illustration along with the history of the discipline. Precise borders will be also set to divide ADI from other digital art fields, in which is ADI often subsumed. Next, I will be introducing software and hardware commonly used for PDI. Lastly, an introduction of basic ADI styles, used the most for commerce, will be included. The second part of the thesis is practical. The main chunk is a complete walkthrough of a graphic project with a detailed description for each phase. The completed artwork is an example of graphic comission one can get in the field of ADI. Lastly, alternate tools and practices will be mentioned. The last part of the thesis will take a close look on utilization of ADI for commerce purposes. Specific fields will be defined, in which ADI is commonly used, with examples of existing projects. Expected future development of ADI will be mentioned along with new potentional market fields, in which ADI could find its utilization. Lastly, common problems and obstacles during the process of accepting, completing and selling the graphic project will be described.
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